Scholarship + Research
"If I do not dedicate enough time to research or if I teach too much or too little, my work as a director, as an artist, is compromised. The correct balance among the three activities is key." (Anne Bogart)
As a dedicated artist-scholar and teacher, Emily is interested in exploring the rich intersections and overlaps between theatre practice and theory. Her artistic work regularly feeds her scholarly study, and her scholarship informs her creative practice. Her primary research areas include:
women and feminist theatre,
Canadian and contemporary American theatre,
directing and directing pedagogy,
theatre for social change.
Articles & Essays
"Teaching the “Intangibles”: Building Pedagogical Bridges Between Business, Entrepreneurship, and Theatre," in New Directions in Teaching Theatre Arts, editors Anne Fliotsos and Gail Medford, New York/London: Palgrave, (forthcoming) summer 2018.
"Directing the Spectacular: Utilizing the Spectacle of Imagination in A Year with Frog and Toad and SDC/ATHE's Role in Training Directors," Forum Essay, SDC (Stage Directors and Choreographers) Journal - Peer Reviewed Section, winter 2018.
“Standing on the Shoulders of Giants: Using International Women Stage Directors in the Directing Classroom," Forum Essay, SDC (Stage Directors and Choreographers) Journal – Peer Reviewed Section, fall 2016.
“And we are here:” Performance, Reality, and Canadian National Identity in Electric Company Theatre’s Tear the Curtain!," Theatre Annual, volume 68, fall 2015.
“Intimate Relation(ship)s: The Development of Director-Performer Relationships in Feminist Solo Performance.” In About Directing, ed. Anna Migliarsi. New York, Ottawa, Toronto: Legas Publishing, September 2014.
"The Art and Practice of Directing for Theatre," SDC Journal - Peer Reviewed Section, (forthcoming).
“Diversities in Actor Training," Web Resource Review, Theatre Research in Canada/Recherches Theatrales au Canada, 38.1, summer 2017.
"International Women Stage Directors,” Book Review, Theatre History Studies, 2016.
"A Collaborative Director Prepares: Ric Knowles's Fundamentals of Directing," Canadian Theatre Review, vol. 167, summer 2016.
“Performing Gender Violence: Plays by Contemporary American Women Dramatists,” Book Review, Theatre Annual, vol. 66, 2013.
“Lady Macbeth in America: From the Stage to the White House,” Book Review, Theatre Survey, September 2012.
“Queer Theatre in Canada,” Book Review, Theatre Journal, December 2010.
“Cross-Gender Shakespeare and English National Identity: Wearing the Codpiece,” Book Review, Theatre Survey, October 2010.
“Creating Artful Dialogues: David Diamond’s Theatre for Living,” Canadian Theatre Review, Spring 2009.
Conferences & Organizational Affiliations:
Stage Directors & Choreographers Society (SDC)
*Associate Book Review Editor - SDC Journal Peer-Reviewed Section, 2017-2019
Association for Theatre in Higher Education (ATHE)
*Directing Program Focus Group Representative, 2016-2018
*Directing Program Conference Planner, 2014-2016
*All-Conference Planning Committee Member - Montreal, 2015 & Boston, 2018
*Women and Theatre Program Focus Group Member
Canadian Association for Theatre Research
*Executive Committee Member-at-Large, 2015-2019
Mid-America Theatre Conference (MATC)
*Executive Committee Member-at-Large, 2015-2017
*Practice/Production Symposium Co-Coordinator, 2012-2014
Kennedy Center American College Theatre Festival (KCACTF), Region 7
*Co-editor, Western States Theatre Review
Association for Canadian Studies in the United States (ACSUS)
Theatre Communications Group (TCG)
Theatre for Young Audiences/USA